As part of the 30th anniversary of Kona Cotton, 30 different designers were asked by Robert Kaufman Fabrics to design something to show off the beauty of Kona colors. I was particularly enamored with Carolyn Friedlander’s quilt: Bartow, so when my young friend Maya asked for that one, I was pretty excited to get the chance.
I still have a nice stash of Kona Cotton (one of the perks of working for RK in 2014), so Maya and I dug through the them. She chose the Elizabeth Hartman Patchwork City: Autumn bundle, which includes a whole lot of purples, blues and green. Then I chose an additional 20 from a 10-Square of the Dusty Palette Konas.
Then I start cutting hundred and hundreds of strips.
Then I sewed hundreds of strips together. A bunch after work, then the rest at home.
I pressed them to the color side and organized them with the infinitely handy Wonder Clips.
I organized strips and then sewed them together into rows. Then started putting those rows together.
Which went just fine until the fifth row, when it didn’t quite fit…
What the what?!
So, come to find out, the 1/4-inch stitch on the machine at the Fabric Depot sewing studio doesn’t give me the same 1/4-inch stitch as my machine as home. I didn’t realize it, but sewing all of those strips together and losing just a smidge on each seam caused my strips to be almost THREE INCHES too short.
Three inches. That’s what happens when one machine is stitching a quarter-inch seam just 1/16th of an inch larger than the other.
So for now, I’m picking out some of the seams to re-sew them and hope I can make this work without re-doing it all.
Lesson learned: Check your quarter-inch seam when switching between machines. I should have listened to you, Mandi.