Distracted

 

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The first time I saw Carolyn’s Alturas pattern I think I actually squealed out loud. You know that embarrassing, “Oh! I looooove it!” exclamation that never fails to leave me looking around, hoping against hope that I’m totally alone. But it was worth it. Alturas is beautiful and simple in this vintage way that I absolutely do love. [Check out her blog post to see the varied iterations of Alturas for more inspiration.]

I made one a while back; quilted it up as a mug rug and gave it away in some swap or another. I don’t even remember what fabric I used, but I knew I really, really liked the pattern.

So a couple nights ago, when I should have been packing for the upcoming move but would rather do anything else, I decided to break open the London Calling charm pack and make one up.

London Calling is a lovely cotton lawn collection, a tight weave but kinda floppy. I starched the bejeezus out of the charm square before cutting it (and yes! the pattern is perfect for charm squares!) and started out by basting it onto the Essex Yarn-Dyed Linen, all the way around, then clipping the curves and doing some relaxing needle turn appliqué.

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I watched a couple of episodes of Dexter and it was done. Just like that.

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My original plan had been to make a pincushion out of it, but once I got the box made and stuffed I realized it was just too big for a pincushion. So instead I have a tiny pillow.

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And the impetus to make an entire Alturas quilt, one block at a time.

Modern Quilt Perspectives {book review}

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It’s finally here, the book that Thomas told me he would someday write way back when we first met at Quilt Market. Houston in 2011, right, Thomas?

I’d already fallen for his first collection, Pear Tree, and its lovely muted colors (the same just-off hues that would sucker me into every TK collection).  We’d talked online thanks to my work for FabShop News magazine and I was both awed and honored when he went out of his way to talk to me in the wide aisles of Market. He told me his ideas for a book and I knew this guy was different.

Spend five minutes talking to Thomas and you’ll be awed by his vast knowledge and ability to pull info, facts and connections seemingly out of thin air. I like to think the guy is a genius. He chalks it up to a lot of schooling. I’ll agree to something in the middle.

Thomas’ skill at drawing connections and thinking beyond the “Isn’t that pretty?” that infiltrates the fabric world continues to amaze and inspire me. And it is in that unique way that Modern Quilt Perspectives unfolds.

Essays. Quilt patterns. Sidebars of wisdom. It’s a remarkable book and I can’t recommend it enough.

In particular I want to share about the Excess quilt. No, I didn’t have anything to do with it (though I did make an ‘I’ for the Identity quilt!).  It’s just one that symbolizes all that this book does.

Here, take a look:
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Lovely, right? It is an incredibly long quilt (13 feet, in fact!) and when I was flipping through the book for the first time, it caught my eye with its size and the preponderance of reds and dashes of green and blue. It’s scrappy the way scrappy ought to be, I thought.

It wasn’t until I stopped to actually read the accompanying essay, that I understood its importance as a piece of art, an unspoken message.

And that’s something that Thomas never  forgets or looks past. Quilts are art. They can be powerful, awe-inspiring, meditative and breathtaking. This quilt took my breath away.

In Excess, there are 1,600 of those little 2-1/2″ blocks. It’s not a random number, something picked out of the air or decided on when the quilt got to the right size. No, that number was chosen for a reason.

Every year, approximately 1,600 women and men are killed in acts of domestic violence in the United States, victimized by their partners and spouses. … Excess is a memorial to this overwhelming reality, a visualization of the forest of loss. Each of the 1,600 squares in the quilt represents a death, with each red or orange stripe a woman killed, and each blue or green one a man.

Now go look at that quilt again and meditate on those numbers, that issue.

Then go read how Lisa quilted it with the text from the United States’ Violence Against Women Act.

This is what makes Modern Quilt Perspectives more than just a quilting book. There is substance and depth and meaning, so much meaning, to all of it. Thank you, Thomas, for reminding me (us?) of the import of it all.

. . . . . . . . . . . . .

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I decided I  would make the pattern myself (this is a quilting book after all), though not in the numbers that Excess originally calls for. Just a few dozen in my favorite greys. I haven’t decided how big I’ll make it, or quite what I’ll do with it when I have pieced it together. But I can tell you that the quilts in Modern Quilt Perspectives are not only powerful art, but that they are well-written patterns as well.

 

So get to it–go get the book, read it, learn from it and venture onward. I can promise you this: it will change the way you look at quilts and the messages they can send.

Thank you, Thomas, for an amazing book, jaw-dropping quilts and for being you.

I got a new toy, er, tool!

I’ve often ogled others’ Go Cutters, awed by how fast and easy and perfect they are. And recently I even got to use one when Luke let me borrow his to work on one of his designs. That’s when I decided I really really needed one myself. So I got one.

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The dies will arrive tomorrow, then I’ll get cranking on a bigger version of this beauty:

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I’ve got another three times this size due very soon and I can’t wait to see it hanging.